Classification of Wastewater

Classification of Wastewater Wastewaters are numerous in kind and defy easy definition. It is difficult to evolve a universal classification for waste. However, roughly there are three basic classification methods, which are combined to form a waste classification system (Hagerty., 1973). They are physical classification, chemical classification and thermal classification. The last one is directly related to thermal processing requirements and focuses on the information needed to select, design, and operate a thermal processing system. 5.1 Physical Classification This classification identifies the physical state of waste. It is needed for the selection and design of waste handling systems and the choice of processing equipment. Based on physical characteristics, typical waste materials are classified as gaseous, liquid, slurry, sludge, solid and containerized waste. In the present context, solid and liquid wastes will be discussed in this section. Solid waste is wastes those which arise from human and animal activities that are normally solid and are usually discarded as useless or unwanted. The term as used in this context is all inclusive, and it encompasses the heterogeneous mass of throw aways from the urban community as well as the more homogeneous accumulations of agricultural, industrial and mineral wastes (Tchobanoglous, 1977). In discussing solid waste, generally and traditionally certain categories of wastes are well recognized as they are very common. For example, solid wastes include domestic, commercial, industrial, (due to construction and demolition) agricultural, institutional and miscellaneous. Many times domestic and commercial wastes cannot be differentiated and are considered together as urban wastes. Included in this category are the garbage materials which result from food preparation both in the homes and restaurants, and also the rubbish which is produced in residences and commercial establishments. Gen erally, the garbage consists of rapidly decomposable materials while the rubbish is either slowly decomposable or non-degradable. A second major category of waste is industrial, the refuse produced by industrial processes. Generally the character of the refuse produced in any manufacturing or processing operation will depend very much on the type, amount, or the character of wastes produced by the industry. Obviously, the wastes produced by steel manufacturers will differ considerably from those produced in the chemical industry. Usually the wastes produced by any food processing operation, the paper and plastics industries are almost similar to the paper and plastic packaging materials found in domestic rubbish. On the other hand, the metal processing industry will obviously generate metallic wastes, but in addition will also produce large quantities of slags, processing chemicals, and other residues, many of which are used in air pollution control and water pollution control activ ities. The wastes produced by chemical industries or other more specialized industries will in general depend upon the specific nature of the end product of the manufacturing process (Waste Classification Guidelines Part 1: Classifying Waste , 2009). 5.2 Chemical Classification It is the key to selection of proper process design parameters, selection of materials of construction, choice of concentration equipment, design of incinerator hardware, the possibility of bye-product recovery, and the requirement of fuel gas and discharge water treatment systems. Based on this classification, the waste materials are broadly classified as clean waste and hazardous waste. 5.2.1 Clean Waste This group covers hydrocarbons which contain only carbon, hydrogen and oxygen. The oxidation products are considered clean and can be discharged into the environment. 5.2.2 Hazardous Waste The problem with hazardous wastes is that there is still no internationally accepted definition of a hazardous waste. However, technical criteria such as toxicity, flammability, corrosivity, ignitability and reactivity have been proposed and used to some extent to identify and designate the waste as hazardous. Though the hazardous wastes account for only a small proportion of all wastes generated by the industries, their impact can be disastrous as they not only affect the physical environment but also the biotic components. The United States alone generates about 60 million tons of hazardous waste every year, and the European Economic Community about half of that quantity. Roughly 10 to 20 per cent of the total waste produced can be considered as potentially hazardous. In general, there are industries like metallurgical, iron and steel, fertilizers, thermal power production, etc. generating large quantities of solid and liquid wastes containing low concentration that is at the trace level of hazardous constituents. On the other hand, there is another group of industries such as chlor alkali, pesticides, dyestuffs, electroplating, photographic chemicals, fine chemicals, etc. which generate comparatively small quantity of wastes, but they are highly toxic and hazardous. Approximately one million tons of solid waste is generated annually by the 131 industrial units surveyed. Nearly 22% of wastes from these industries are hazardous. It has been estimated that about 94% of these wastes are generated by process oriented (generating during the processing of raw materials to get the finished products) industries and 6% of it is pollution control oriented (generated from the treatment of gaseous and liquid effluents) industries. Maximum amount of hazardous waste is generates by chlor-alkali, dyes and pigment, organic chemicals, pesticide and plating industrial sectors. The inorganic chemical sector on the other hand, generated low volume-high toxic wastes. The syntheti c drug manufacturing units in drugs and pharma sector generate maximum quantity of hazardous wastes. Thus, hazardous waste may be further classified into waste generating gaseous contaminants, waste containing alkali and alkaline earth metals and waste containing heavy metals. 5.3 Thermal Classification This is used in the determination of energy requirements for processing and in the selection of system configuration. Based on the thermal properties, typical waste materials are classified as follows, where combustible wastes are a group that includes wastes which will sustain oxidation reaction without additional energy requirements, noncombustible wastes are groups that represent low-Btu value wastes, which will not sustain oxidation reaction without additional energy supply. These wastes may be further classified into following two categories which are the noncombustible wastes with no low the volatiles (the organics in the wastes contain no low volatiles which, when heated, will evaporate) and the noncombustible waste with low volatiles (the organics in the waste are heat sensitive and readily vaporized when heated). These two categories provide important information for the designing of evaporation and steam stripping systems. They are also important factors in the selection of pre-concentration equipment of wastes. For the successful application of thermal processing systems accurate and reliable information about the composition and characteristics of any waste to be processed is essential. Such data are necessary to understand the process and for the selection of process equipment. Classification of a wastewater by toxicity or hazard is important for safety and also to comply with legislation (Mumford, 1973). In practice, it is better to use the characterization ‘hazardous’ and ‘non-hazardous’ having regard to both toxicity and the environmental implications of the waste on disposal. Therefore the Control of Pollution Act distinguishes waste as poisonous, noxious or polluting and whose presence on land is likely to give rise to an environmental hazard. It also encompasses highly flammable or explosive materials which may have little toxicological significance (Agency, n.d.). Classification may be further expanded taking into consideration individual chemicals. Chemical analysis will usually give the proportion of each chemical present, except that of organics which may be characterized by one or more physical properties as listed in Table 2. Table 2: Physical properties of liquid wastes. Alternatively the description may be limited to synthetic organic materials, natural organic materials, and inorganic materials and this characteristic corresponds to classification by origin. Finally, wastewater is usually wastes because it consists of unusable and often unpleasant mixture of chemicals. Bibliography Agency, T.E.P. About Hazardous Non-Hazardous Waste by The Environmental Protection Agency, [Online], Available: http://www.lonestar.edu/16715.htm [19 February 2014]. Hagerty., D.J.P.J.L.a.H.J.E. (1973) Solid Waste Management, New York: Van Nostrand Reinhold Co. Mumford, C.J. (1973) Industrial Pollution Control, Bussiness Books. Tchobanoglous, G.T.H.a.E.R. (1977) Solid Wastes: Engineering Principles and Management issues, New York: McGraw Hill.

Between Two Lamentations Essay

The â€Å"Lamentation of Christ† is one of the most popular subjects in the realm of Christian Art. It became extremely popular from the 11th century to the early 18th century, encompassing vast art periods from the Byzantine art period under the Medieval era of art, to the Baroque period of the Renaissance. Numerous works have been created, centering on this one scene that is of great import, not only to the Christian community but to the art world itself. One of the most popular scenes in Christian history, the Lamentations showcases Jesus Christ, brought down after just having died on the cross. His mother Mary is shown often with Jesus in her arms weeping and mourning the death of her son. Surrounding them are several other mourners, comprising of Christ’s friends and family. As it is also a popular episode in the life of Christ, it is also included in many depictions of the Life of Christ, a form of Christian art that serves as a narrative or an early form of sequential art that tells the story of Jesus Christ from his conception to his resurrection and ascension into Heaven. This led to many different artists coming up with different versions of the scene. The numerous renditions of the same scene, scattered from the 11th century to the 8th century, is a good way o gauge the development of art at a fixed period of time. One of the first few examples is a fresco in the Church of St. Panteleimon, a small Byzantine church in Macedonia. The painting was made by an anonymous artist, known only as â€Å"Meister von Nerezi† or â€Å"Master of Nerezi†. The piece, Lamentation over the Dead Christ in the Church of St. Pantaleimon, was done in 1164 which was the Middle Byzantine period. During the time, Christian art revolved around a strict set of rules which restricted many artistic ideas, and as the setting was that of the period of changes to the Byzantine style, the art for the Master of Nerezi’s Lamentation piece was something relatable to â€Å"Maniera Byzantina† (Lasareff 279). Lamentation over the Dead Christ in the Church of St. Pantaleimon (1164) Obvious within his work is the ability to evoke feelings of empathy and even sympathy from its beholders, perfectly capturing the essence of mourning and overall sadness of the scene. This despite the image’s adherence to the strict formal rules of Byzantine art. It also features a more definitive sense of emotion as opposed to other works of the era which tended to keep a more solemn depiction of things. Also of note is the Master of Nerezi’s composition of the piece, having Mary hold Jesus tightly, arms wrapped around the dead body, while a disciple bends over to hold his dead master’s hand to his face. The resulting placement of subjects evokes a spatial setting that proves schematic and well thought-out. Giotto’s â€Å"Lamentation† on the other hand, is a fresco showcased at the Arena Chapel in Padua, and is one of the most popular Lamentation pieces created. It too depicts the mourning of Jesus Christ, portraying him laid on the ground right after dying from his crucifixion, surrounded by friends and family, with Mary at his side, mourning and expressing great sadness in their faces. Giotto di Bondone, or simply Giotto, as he is more widely known, was a famous artist in the late Middle ages who specialized in painting and architecture. His works attributed to his being considered one of the first artists whose works led to the eventual birth of the Italian Renaissance, the period which signaled the end of the Medieval ages and gave rise to Early Modern Europe. The â€Å"Lamentation† is one of the best examples of his work, which was famous for the fuller, more three-dimensional style of painting that would only become more prominent in the Renaissance period, which wasn’t to become popular until around century after Giotto. (Webmuseum 2010) â€Å"The Lamentation† (1305 – 1306) Dating back to around 1305 – 1306, Giotto’s work on the†Lamentation† featured Christ being held by Mary, Jesus Christ’s mother, at the head, and possibly Mary Magdalene at the feet as the woman is shown with red hair and Mary Magdalene is known to have washed Jesus’ feet. In terms of the painting’s composition, Giotto focused on the sad scene of mourning in the lower left area, having Jesus and Mary framed by the six other people who are seemingly spaced appropriately to bing the viewer’s attention to the Mother and Son. Surrounding them are disciples of the fallen savior, as well as hallowed saints – all of them in mourning, effectively conveying the overall mood of sadness about the image. Immediately behind the gathered crowd is a scraggly rock mound – its sharp, downward line leading to the images focal point of Jesus and Mary. Above them are angels, flying around with sad,mourning, grieving faces, their figures notably foreshortened to denote a deeper, more three-dimensional feel to the piece. Looking back at the fresco done by the Master of Nerezi, the Italo-Byzantine style of art is still most obviously definitive in his work: basically two-dimensional whilst combining elements of the Byzantine art style with those of the natural world, the Lamentation over the Dead Christ in the Church of St. Pantaleimon features a flat-looking image which is iconic in its nature. Done during the Comnene Dynasty of rule which lasted from 1025-1204, the Master of Nerezi’s Lamentation was timely as due to the Comnenans being staunch supporters of the arts, the general art direction went towards the depiction of emotions, with themes such as the Lamentation and the Virgin and Child being among the most popular of the day. Whereas Giotto’s work was done as a part of a series depicting the Life of Christ, which was part of the Arena Chapel whose interiors were decked with frescoes by Giotti. It was finished in 1306, during that time when the Byzantine style of art was still somewhat prevalent among artists. Considering the relative gap between the creation of the two Lamentation pieces, it isn’t surprising to find that there is a huge difference between the two art styles used – where one used a more traditional Byzantine style of flatness while the other utilized a more realistic and natural mode which was at the time, a style of the artist’s own – but considering that at the time of Giotti’s work, the style used by the Master of Nerezi was still what was of standard, then it denotes a significant leap forward in the art medium. Both pieces being of the same topic which is the Death of Jesus Christ, the overall theme of sadness and mourning over a death is reflected effectively by means of expressing emotion on the faces of the characters as depicted by their frowns and sad eyes and faces. Their postures are also indicative of the plight they are going through in the image. Also common is the disciple leaning in to meet his master’s hand,hence the posture of bending over, creating a line that leads to the point within the image wherein Mary keeps her face close to the dead Christ. In the case of the Lamentation over the Dead Christ in the Church of St. Pantaleimon, despite being tied to the art style of the Byzantine times then which often featured religious pieces in symmetrical compositions, the image remains asymmetrical as is common in Lamentation pieces. Perhaps the major difference in terms of the subject matter for both images is that there are more characters in Giotto’s piece. Aside from Jesus’ friends family, and disciples who mourn by his side, in Giotto’s version, angels decked in bright colors are flying around above them, sobbing and weeping as well. In general, both paintings clearly get the message across to the beholders, and almost always evokes feelings of sadness and understanding from its onlookers as well. In summary, the analysis of the two paintings which are different renditions of two different artists on the same theme, gives a peek of what the development of art styles was at the time. From the Lamentation over the Dead Christ in the Church of St. Pantaleimon by the Master of Nerezi in 1164’s Byzantine style of art, to the groundbreaking realism and classicism as well as the incorporation of three-dimensional elements in Giotto’s â€Å"Lamentation,† it shows that art, like many other aspects of human culture and society, also develops at a rate that coincides with the development of humanity as a whole. Works Cited â€Å"History of Painting† History World 22 May 2010. http://www. historyworld. net/wrldhis/PlainTextHistories. asp Lasareff, Victor. â€Å"Early Italo-Byzantine Painting in Sicily. † The Burlington Magazine for Connoiseurs Vol. 63 No. 369 (1933) â€Å"Giotto di Bondone† Webmuseum 22 May 2010 http://www. ibiblio. org/wm/paint/auth/giotto/ â€Å"Arena Chapel† Britannica Encyclop? dia Online 22 May 2010 http://www. britannica. com/EBchecked/topic/33443/Arena-Chapel

Program Planning and Evaluation Paper - 840 Words

Assignment: Program Planning and Evaluation Paper Janice Minnis HSM/270: Programming Planning and Grant Proposal Writing in Human Services August 21, 2011 Terri Galindo Axia College of University of Phoenix I have chosen to work with Program Scenario Three, PEACE Domestic Violence Agency. Yuen/Terao (2003) states, â€Å"Program planning is an organized process through which a set of coordinated activities or interventions is developed to address and facilitate change in some or all of the identified problems.† â€Å"Program Evaluation is the application of different social research designs in assessing the needs and results of programs.† In short, Program Planning and Program Evaluation is the process of assessing needs, organizing an†¦show more content†¦The plan has added another targeted population and other agencies that will be used for particular services. The plan will outline how the relationship between this agency and other services providers would function, and the evaluation would outline whether or not the agencies meet the guidelines set forth by this agency and governmental guidelines. The objective that will provide young people who are or have been involved with the criminal justice system with a rehabilitation program targets another population. The plan must define the targeted age group or groups; the plan must define the sources targeted to work as a part of the rehabilitation program. The evaluation will determine through research, exploratory study and descriptive research, the most effective agencies and strategies to use for the success of this type of program. The grant programs for the funding of the agency needs a plan that will outline securing other funding that will meet the day-to-day operations of the program. Staffing, materials needed, and other fundamentals to run a program must be taken into consideration. The budgeted amount to run the agency can be determined by the evaluation of all that is a part of the objective and this will determine if the criteria has been met for the grants applied for. The Investor Program has a maximum number of organizations it will fund and is based upon the objectiv esShow MoreRelatedProgram Planning and Evaluation Paper815 Words   |  4 Pages Program Planning and Evaluation Paper Nicole Debski HSM/270 PROGRAM PLANNING amp; GRANT PROPOSAL WRITNG IN HUM SERV (AXIA) Janice Gilstorff, MPA Faculty University of Phoenix 8/1/2010 Program Planning and Evaluation Paper The first questions ask how program planning and program evaluation describe how the two components relate. In my opinion they relate because once you have a plan in order you have to evaluate it to see if the plan is working. 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I volunteered as a mentor and presenter to a local high school with Junior Achievement. I combined my academic, military and business background in a program for high school to motivate and encourage excellenceRead MoreEssay on Hsm/270 Week 6 Checkpoint1205 Words   |  5 Pagesabout the programs it will offer they have to start thinking about the processes and outcomes they want to use and achieve through their program. They need to find the best ways to run their program that follows their mission and produces outcomes that help support that same mission. Process and outcome evaluations in a human service setting help the organization to better understand the outcomes of their programs and the processes in which the outcomes came. (Yuen, Terao, 2003) This paper will walk

Strangers Somewhat Like Me - 755 Words

As I look around me, first to the right, then the left, up and down, I see creatures that look as I do yet they are very different. We have many similarities. Perhaps we are related? These creatures called Homo sapiens are most certainly different than my kind, Australopithecus afarensis. I can see we move the same way, both of us walk upright and on two legs, apparently. I see that we both have eyes not to the side of our head but in the front. I also see parents caring for their children who are more than a few years old. While I see all of these similarities I see few major differences between us. A few differences that I can easily spot are that their head is much larger than my own but their jaw is smaller, their bodies are also different than mine, and they communicate using a type of language. One of the first observations I made when I saw the Homo sapiens was they have an incredibly large head. They must be highly intelligent, their brain size is about 1300 cubic centimeters (Dorey 2013) while mine is merely 430 cubic centimeters (Larson 2013: 250). With a brain this large it is easy to see how they were able to make many of the tools that have helped adapt to their environment. In a way these Homo sapiens are able to make their own environment. Homo sapiens are able to adapt to may kinds of climate and terrains without much difficulty. Along with their large head size their teeth are also a bit strange. Homo sapiens have a smaller jaw than I do, suggesting thatShow MoreRelatedThe Violation Of World War Three1255 Words   |  6 Pagesnews because I knew we would talk about it in class. News in both entertainment and politics can be ephemeral, but both can have effects that influence the way we live for years. Both Donald Trump and Kim Jong Un having access to nuclear weapons makes me uneasy. 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